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   Historic Postcards of Padua Hills Theatre  Attributed to Irene Welsh Garner
                            
                           
                           |  Los californios® Collection |   Incorporated as Padua Hills, Inc. under the direction of Herman Garner, the
                           group subdivided the more than 2,000 acres of land into residences for an artist community. 
                            
                           
                           |  Los californios® Collection |   As they formulated their plans for the area, they incorporated the idea of an
                           arts center as a central focus for the development — a center with a dining room, arts studios and shops
                           as well as a small theater. 
                            
                           
                           |  Los californios® Collection |   In 1930 this vision came to fruition with the construction of the Padua Hills Theatre,
                           an elegant Spanish Mission Revival style building designed by the Pasadena architect firm of Marston
                           and Mayberry that included a dining room and restaurant quality kitchen, to be the home of the Claremont
                           Community Players. 
                            
                           
                           |  Los californios® Collection |   The columned entrance to the theatre and dining room
                           created an inviting environment for cultural gatherings, and eventually became a well-recognized image
                           symbolizing what soon became an experiment that was radical for its time and unexpectedly successful. 
                            
                           
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                           |  Los californios® Collection |          Serene and elegant patios with artistic landscaping complemented the building.  The Little Theater movement¹ was still strong when plans for the Padua Hills
                           development began. The Claremont community, which still includes substantive participation from the university
                           culture, was enthusiastic in its support of the project. 
 
 
                            
                           
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                           |  Los californios® Collection |  This postcard, mailed March 17, 1946, says: “This is where Nom Manker makes his pottery.
                           An art colony in the heart of these fabulous hills. It’s my idea of next door to heaven.
                           When their inn is built you must come here for your honeymoon. Greetings to all.” 
 
                           
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                           | Martha Longnecker with potter at Padua Hills & another
                           potter. The work of Padua Hills artists is still sought after. |  
                            
                           
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                            Folding Advertising Card for Padua Hills Theatre and Dining Room
                            
                            
 
                            Padua Hills Dining Room Lunch Menu
                              
                             But the economic pressures of the Great Depression were about to fundamentally change the
                           mission of the Padua Hills Theatre. Click below for the next part of the story.   The Beginnings of The Mexican Players
  Other Resources About Padua Hills Theatre and The Mexican PlayersPauline B. Deuel, Mexican Serenade: The
                           Story of the Mexican Players, 1961, Padua Institute. Matt García, A World of Its Own: Race, Labor, and Citrus in the
                           Making of Greater Los Angeles, 1900 — 1970, 2001, The University of North Carolina
                           Press. Pay particular attention to chapter 4, “Just Put on That Padua Hills Smile: The
                           Mexican Players and the Padua Hills Theatre, 1931-1974,” pages 121 — 154. Matt García, “Adjusting the Focus: Padua Hills Theatre and Latino
                           History,” Organization of American Historians: Magazine of History 10 (Winter 1996). Matt García, “Just Put on That Padua Hills Smile: The Mexican
                           Players and the Padua Hills Theatre, 1931 — 1974.” California
                           History 74, No. 3 (Fall 1995), pages 244 — 261. Bess Garner, Notes in the Margin, Houghton Mifflin, 1937. In
                           her comments on her travels to Mexico, Bess Garner frequently relates events and
                           her observations to her work with the Theatre.   1 Matt García, A World of Its Own: Race, Labor, and Citrus
                           in the Making of Greater Los Angeles, 1900 — 1970, 2001 providesbackground for the Little Theater movement as it applies to the Padua Hills Theatre.
 If your family has recollections of Padua Hills Theatre that you would like
                           to share on this web site, please contact
                           Los californios® at info@loscalifornios.com.  Related Links
                           Adjusting the Focus: Padua Hills Theatre and Latino History,By Matt García
 “Reveals an interesting and overlooked chapter
                           in Hispanic cultural history. The Claremont, California, Padua Hills Theatre presented
                           Spanish-language, Mexican-theme musicals to a mostly white audience from 1931
                           to 1974. Although it presented romantic, and occasionally stereotypical views of
                           Mexican American life, the theater deserves recognition. (MJP)” The Commedia Dell’arte
                           in a Mexican Folk Theatre By Pauline B. DeuelHispania, Vol. 47, No. 3 (Sep., 1964), pp. 537-539
 The
                           Padua Hills Theater: Bringing a piece of history back to life Padua
                           Hills Theatre — National Register of Historic Places Chanterelles
                           Fine Catering at The Padua Hills Theatre © Vykki Mende Gray, 2020All rights reserved.
 Web design: Ellen Wallace and Vykki Mende GrayAll rights reserved.
 
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